entia non sunt multiplicanda praeter necessitatem
(entities must not be multiplied beyond necessity)
We were talking about efficiency (in movement terms in class the other day) and I thought this was pertinent (in a sort of REALLY high level way :-)
See also God is Not Great by Christopher Hitchens
Sunday, June 29, 2008
Friday, June 27, 2008
Jiu-jitsu according to Wordle
Wordle is an online tool for creating beautiful word clouds. Here is how it renders a short introduction to jiu-jitsu:
This could be good for a poster or a T-shirt design!
This could be good for a poster or a T-shirt design!
Sunday, June 22, 2008
Cooperative combinations
In Jiu-jitsu and Judo, having learned to fall and the rudiments of some throwing techniques it is fun to attempt some free practice (randori): You and your partner take a grip and try to throw each other.
However, there is a tendency for this type of training to degenerate through excessive resistance and defensiveness. There are various means to getting over, through or around this obstacle.
One approach that I have found useful acts as something of a bridge between cooperative practice and free practice, by injecting a smidgen of uncertainty into a basically cooperative exercise...
Note: The usual disclaimers apply. Do not attempt this except under qualified supervision.
Let's say that you and a partner are practicing a combination technique cooperatively. A simple combination consists of an initial attack which is somehow foiled or evaded, and then followed up by a second attack. For example: The 1st leg throw (o soto gari) can be combined with the third leg throw (hiza guruma) as follows: The thrower (tori) attempts o soto gari on the receiver (uke) who evades, preferably through skillful stepping and body movement. Tori then fluidly moves into hiza guruma, and throws uke to the mat.
Two problems almost always crop when this kind of exercise is first practiced:
These can be overcome with practice and good focus, but I would like to offer a variation on the exercise which works well and is lots of fun besides.
Tori is to attempt the first technique with reasonable vigor. If uke evades, (s)he follows up with the second technique. With each repetition uke has the choice of allowing him or herself to be thrown, or to evade. Uke's job is firstly to decide whether to attempt an evasion or not, while the second, should (s)he elect to evade, is to do so as late as possible.
This is not a competitive exercise in the normal sense because -- whatever happens -- uke is the one who gets thrown, if not by the first technique, then by the second. But the element of uncertainty from the thrower's perspective helps to eliminate the original defects: If the first attack is half-hearted, uke can elect not to evade; and, once the attacks are coming fluidly, uke can leave the evasion later and later until (s)he is thrown despite trying to evade.
This exercise can be varied and extended in many ways. Examples include:
However, there is a tendency for this type of training to degenerate through excessive resistance and defensiveness. There are various means to getting over, through or around this obstacle.
One approach that I have found useful acts as something of a bridge between cooperative practice and free practice, by injecting a smidgen of uncertainty into a basically cooperative exercise...
Note: The usual disclaimers apply. Do not attempt this except under qualified supervision.
Let's say that you and a partner are practicing a combination technique cooperatively. A simple combination consists of an initial attack which is somehow foiled or evaded, and then followed up by a second attack. For example: The 1st leg throw (o soto gari) can be combined with the third leg throw (hiza guruma) as follows: The thrower (tori) attempts o soto gari on the receiver (uke) who evades, preferably through skillful stepping and body movement. Tori then fluidly moves into hiza guruma, and throws uke to the mat.
Two problems almost always crop when this kind of exercise is first practiced:
- Tori applies the first technique with insufficient vigour, and/or
- Uke evades too early.
These can be overcome with practice and good focus, but I would like to offer a variation on the exercise which works well and is lots of fun besides.
Tori is to attempt the first technique with reasonable vigor. If uke evades, (s)he follows up with the second technique. With each repetition uke has the choice of allowing him or herself to be thrown, or to evade. Uke's job is firstly to decide whether to attempt an evasion or not, while the second, should (s)he elect to evade, is to do so as late as possible.
This is not a competitive exercise in the normal sense because -- whatever happens -- uke is the one who gets thrown, if not by the first technique, then by the second. But the element of uncertainty from the thrower's perspective helps to eliminate the original defects: If the first attack is half-hearted, uke can elect not to evade; and, once the attacks are coming fluidly, uke can leave the evasion later and later until (s)he is thrown despite trying to evade.
This exercise can be varied and extended in many ways. Examples include:
- Use a different pair of techniques
- Uke varies the type of evasion
- Allowing tori a choice of second-attacks
- Allowing uke the option evading the second attack, in which case tori now throws uke with a third technique
Sunday, June 1, 2008
Cool stuff in the martial arts
Here is my list of impressive-looking things in the martial arts that are of limited interest (to me):
- Acrobatics
- Super flexibility
- Breaking stuff (boards, bricks, etc.)
- Using an assailant's strength against him
- Learning to use weapons as a natural extension of your body
- Pressure point techniques
- "Internal" aspects
- Healing methods
- Self-defence
- Technique
- All-round fitness
- Personal development
- Social development
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