Monday, May 30, 2011
Wally Jay, June 16, 1917 - May 29, 2011
Wednesday, May 18, 2011
Grading Post mortem.
After a week or so I can now take stock of the grading and think about what went well and what didn't and how the preparation helped...or not?
My main concern leading up to the day wasmemory recall of the techniques. I've grained long enough to know them to a fair standard (some better than others, granted) so this didn't trouble me so much. I did however *still* get muddled up with the Japanese names and find that there is lag between being asked for a technique and my brain processing it and outputting it as action. So what to do? Well as MattKlein commented, just swot up on techniques and have someone call waza at random. Over and over again. And over some more. This worked quite well and in the grading I was confident that I could manage.
The second issue was not knowing who I would gradewith. As shorinji kempo is based on pair work this can have an effect on performance. Naturally techniques should be able to applied to anyone but in a grading it comforts you to know who your partner is. As it happens when I met mine and we had a chance to go through embu I felt a lot easier. He knew his stuff and was fluid in movement. No problem.
In fact during feedback Mizuno sensei made this very point about grazings. To him a grading is useful as it pressure tests technique. Yes they make allowances for the fact that sometimes we don't have a chance to practice with a partner beforehand but in real self defence you have to make the technique work. And this is grading: making it work under pressure. It's no good asking an adversary on the street to stop and start again "cos I wasn't prepared".
Lastly it's worth mentioning sweat. I know it's notpleasant but on a hot spring day in a packed dojo it becomes an issue when you're trying to apply wrist locks. The answer? Think creatively. Go with the flow of the technique and focus on the outcome (immobilising an opponent, trapping an opponent or maybe throwing). It was trickier but a valuable lesson.
Monday, May 16, 2011
Grading Day
Tuesday, May 3, 2011
Sai-jitsu
A while ago, when I taught a sai-jitsu seminar, I learned that one attendee would be a teacher from one of those American-Karate-Black-Belt-Schools-of-Excellence-of-America schools. I figured the poor guy would be completely and hopelessly lost when exposed to genuine classical sai usage (as opposed to competition flash). So, I was watching for him to arrive, and he did. But, then I noticed his sai, not holographic toys, but actually decent Shureido® brand.
I went up to talk with him, and he told me that he had wanted to supplement his contemporary American Competition Karate Style with something traditional. So, he began to study a solid and very legitimate kobudo system. I figured he would be right at home during the training. Well, that was almost true.
During the seminar, I taught methods of the sai which are in accordance to the nature and shape of the weapon. However, these methods differ considerably from what is typically taught. So, my traditionally trained guest was stunned and dismayed to be performing the exact movement he was taught, but to devastating effect, (finding that even the subtle aspects of the movement were integral to the technique).
What is significant is that classical sai methods are very obvious (once you have been shown them, it is like, "Duh!") and kind of easy to perform (the weapon does the work). My experience is that, once a person learns the classical use of a weapon – any weapon, really – it becomes incredibly easy to understand how most weapons are to be used. And reading the kata becomes pretty easy. However, classical weapons use is not cool, not flashy, and not nice – just real.