The Taller You Would Build the Tower

Sensei George Dillman demonstrating an impressive knock out.

I was in Indianapolis, at an annual 3 day training with my sensei George Dillman (okay, I was only there 2 days, because someone had to work Sunday morning). The weekend is organized and sponsored by Will Higginbotham, one of my colleagues in DKI. Another of my colleagues, Matt Brown, was teaching some advanced work on manipulating internal energy (qi). One of the up-and-coming instructors, Shane Lear, was teaching material he has learned in China, which also focused on energy work. I got a chance to teach and experiment with the use of primary and secondary elemental stances (an extension of elemental stance theory worked out by Dustin Seale and myself). And sensei Dillman showed some quality technique and methodology (along with a stunning and unexpected leg knockout). All in all, the training was at a very high level, appropriate to the number of long-time and high-ranking students attending (as my daughter put it, "There was a lot of red in the room" referring, of course, to the red on the belts of the seniors).

Today (Sunday) was a work day for me, with church services and a burial. But, here and there I found myself with a few moments to play around and do what I call "restroom karate". I should explain that. The name refers to my habit of doing a few techniques anytime I find myself alone in a lavatory – right after I wash my hands, when I can still check my technique in the mirror. So, "restroom karate" is when you steal a few seconds of training here and there throughout the day. So, today, as I stole time here and there for a few seconds of training, I noticed that, following all that advanced work in Indianapolis, I was training basic stances and basic movements.

This might seem odd to others, who might assume that I would be practicing qi-gung and working on advanced material. But it doesn't seem odd to me for a very simple reason – the taller you would build the tower, the stronger you must build the foundation. When martial artists become excited about advanced material and turn their art and training into nothing but advanced stuff, they can appear impressive (even astonishing) and knowledgeable, but without a proportionately strong grounding in fundamentals of movement and posture and stance and alignment, their towering knowledge cannot survive the disturbances of combat.

So, it seems to me, that the more advanced material I learn, study and practice, the more I have to return again and again to fundamentals. In fact, I have come to believe that a master is just someone who fell in love with the basics.

Thanks for reading,

Now go train!

CT