Well worth a look, especially if you are interested in improving your overall body awareness and quality of movement.
Showing posts with label feldenkrais. Show all posts
Showing posts with label feldenkrais. Show all posts
Thursday, October 25, 2012
Evolutionary movement
Here's the first of an elegant three-part series in which the presenter, Simon Thakur, starts with small perturbations of the spine and expands into a swathe of whole-body movements:
Well worth a look, especially if you are interested in improving your overall body awareness and quality of movement.
Well worth a look, especially if you are interested in improving your overall body awareness and quality of movement.
Tuesday, March 9, 2010
Hip throws or loin throws?
The hip throws are the most powerful throws in judo, but the term "hip" is somewhat misleading, referring as it does to the joint connecting the top of the femur (bone of the upper leg) to the pelvis, and the surrounding region.
A more accurate term is loin, not in the sense of "loin cloth" or "fruit of his loins", but rather in the sense of sirloin steak, or tenderloin:
A more accurate term is loin, not in the sense of "loin cloth" or "fruit of his loins", but rather in the sense of sirloin steak, or tenderloin:
In human anatomy the term "loin" or "loins" refers to the side of the human body below the rib cage to just below the pelvis. It is frequently used to reference the general area below the ribs. -- WikipediaThis area -- which can also be described as the lower torso, "the core" or even "the guts" -- has as its focal point the body's center of mass, known as hara or tanden in Japanese, and dantien in Chinese. With reference to this point Feldenkrais writes in his book, Higher Judo, Ground Work:
All movement of the co-ordinated Master is so performed that one point of his body, lying below his navel and situated vertically above the center of pressure of the standing foot, describes a simple curve at the crucial moment of any throw, or rotates only.Something to work towards.
Monday, August 17, 2009
If you could choose just one technique...
If you could choose just one technique to build an unarmed combat course around, what would it be? During WWII Moshe Feldenkrais selected Hadaka Jime, one of the rear chokes, for a 10-part course aimed at regular serving British soldiers.

Re-issued in 2009, with a new forward and afterword by Moti Nativ, Feldenkrais's little book includes additional photos, including an appendix with a sequence showing Feldenkrais's teacher Kawaishi applying the eponymous technique to Feldenkrais in a dojo setting.
Fans of mixed martial arts will note that the basic Hadaka Jime technique is similar to the rear strangles often used to achieve a submission in such contests. Interestingly, hadaka jime was not included by Kawaishi in his encyclopedic "My Method of Judo", where he preferred other (less larynx-crushing) methods for applying a strangle from the rear. [Tangent: There seems to be two main schools of thought as to whether hadaka jime aims to cut off the air or blood supply, chronicled here.]

Re-issued in 2009, with a new forward and afterword by Moti Nativ, Feldenkrais's little book includes additional photos, including an appendix with a sequence showing Feldenkrais's teacher Kawaishi applying the eponymous technique to Feldenkrais in a dojo setting.
Very clearly written and illustrated, this book will be of particular interest to students of the Feldenkrais method, especially those with a martial arts background, and to judoka and jiu-jitsuka with an interest in Kawaishi's methods of Judo and self-defence.
But please don't practice the content at home, or anywhere for that matter, without qualified supervision!
Leaving the original text unedited, Nativ has bolded the parts with particular relevance to Feldenkrais's approach to learning and education. Here is some footage of Nativ demonstrating one of the applications taught in the book:
Nativ has promised to re-issue another early Feldenkrais martial arts work, his 1931 Jiu-jitsu book, and then his own magnum opus on the synergy between the Feldenkrais method and the martial arts. I am looking forward to reading and reviewing these works!
Thursday, February 19, 2009
Feldenkrais's recipe for genius
Moshe Feldenkrais was a physicist and pioneering judo black belt (under Kawaishi) who invented what later became known as the Feldenkrais Method of movement education to fix his knees -- which he had wrecked playing soccer -- in the days before reliable reconstructive surgery.
P.S. Feldenkrais's judo books are also great, but largely out of print. Happily, Irene Gutteridge has pointed out that Higher Judo: Groundwork is available from www.feldenkrais.com.
His books are fascinating and at times perplexing, but always thought provoking. Many of his students have written more accessible derivative works -- e.g. Hegge's "Running with the whole body" and Hanna's "Somatics" -- but for sheer depth it's hard to go past Feldenkrais himself. I recommend "Awareness through Movement" as the most accessible.
Ruthy Alon shows what it's all about:
Here's a quote that I have been puzzling over for a few years:
"Find your true weakness and surrender to it. Therein lies the path to genius. Most people spend their lives using their strengths to overcome or cover up their weaknesses. Those few who use their strengths to incorporate their weaknesses, who don't divide themselves, those people are very rare. In any generation there are a few and they lead their generation."Recently it occurred to me that Feldenkrais was in-part referring to something that I have believed for a long time, but attaching a greater significance:
By finding something that you are weak in, but keen on, you can embark on a great journey -- from weakness to acquired strength -- not merely a path to competence, but also one of learning, insight, and challenges. By taking such a path not only will you gain personally, but also be in a position to help others on their journeys, far more so than if you had merely stuck to your strengths.
In my case, it is the things that I am passionate about, had to work hard at to get somewhere, that I not only value a little more than the things that came easily, but also which I feel best equipped to teach.
This applies to my experience of martial arts as a whole, but at other levels too. For example: As a beginner I struggled to learn our 2nd hip throw -- kubi nage (neck throw) -- and yet today it is one of my favorite techniques. Furthermore: My students seem to acquire its nuances quite quickly -- certainly much faster than I did -- presumably because having struggled with it in so many ways over such a long period, I am now well-equipped to teach it.
Taking this example further, I am happier with how I execute kubi nage today than I am with other throws that came to me more easily: Weakness has overtaken strength; the tortoise has outraced the hare. Now the challenge is to integrate what I have learned in struggling with kubi nage to improve in other areas.
There's still more to Feldenkrais's recipe -- including "finding your true weakness": How do you do that? How do you verify it? More food for thought ...
P.S. Feldenkrais's judo books are also great, but largely out of print. Happily, Irene Gutteridge has pointed out that Higher Judo: Groundwork is available from www.feldenkrais.com.
P.P.S. The classical judo that I practice comes via Mikonosuke Kawaishi, who was dispatched by Judo founder Jigoro Kano to spread Judo to the Europeans after Kano met (and throttled!) a then young Feldenkrais in Paris. Who was the first European black belt in Judo? Feldrenkrais. His teacher? Kawaishi.
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