Showing posts with label footwork. Show all posts
Showing posts with label footwork. Show all posts

Friday, December 4, 2009

Last days fencing and ki ken tai

The fencing course culminates with a competition with the rest of the club. This includes fun atmosphere and prize giving so I was fairly relaxed about going along, despite not having actually fought anyone for real!
It was quite a liberating experience for me as when I have been to martial art competitions I'm always a little anxious about technique, remembering stuff, wanting to do well and not let myself down. These all buzz around my head so calming them is a process which takes up energy. Last night at the fencing tournament however I didn't mind at all! Everyone sees you are a learner due to the blue plastron beginners wear and I had nothing to prove. I went along to see how sword combat would be and to maybe get a few points on other fencers, which I did.
One thing to remark was how tired I was after each bout. I'm sure this was because I didn't really know about the correct and most efficient way to fence, but also maybe because I was lunging too much. I think more astute and experienced fencers don't need to lunge and this takes up a lot of energy. Also I was probably chasing the hit a little too much- I couldn't rely on sitting back, parrying and riposting as my technique wasn't developed enough.

My fights ended against M, a tall left-handed fencer who was very able and who thrashed me soundly with me scoring only one point on him. Afterwards in the pub he told me he'd been working on his footwork a lot which improved his fencing. He found that this could free up his mind to work on the 'point' work and bringing these two together, he said, really improved his game: foot and point working in unison. I couldn't help chipping in to add that ki ken tai (breath/spirit or shout, sword and body) was a similar concept in kendo and other striking arts. Bringing together the spirit of the attack (the raw will of the attack) with the body movement and footwork together with the strike of the weapon (be it sword or fist) gives a unity and firmness to the offence. Ki is sometimes considered as the shout or kiai and in some martial arts if the kiai is not present the point is not scored.

This concept is important on a physical level as it improves the structure of the given attack but also on a philosophical level makes the strike more complete. Movement within a traditional martial art is considered more correct if these three elements are present. This is particularly pertinent within kata or hyung practice when intent, focus and body movement are essential.

Tuesday, September 29, 2009

Fencing debut

I can't say I am unbiased about my first fencing lesson: I was *thoroughly* looking forward to it. I've wanted to taste what fencing is all about for years and this course only runs once a year which only highlighted the anticipation.

I turned up and met a few other beginners: a big class (not surprising given its infrequency) and after an initial introduction we set to practising footwork. This didn't surprise me at all as this seems (much like other martial arts) the basis of movement and by extension of fighting. Most of the two subsequent hours were given over to this moving forward and backward in basic forward lunging stance and fighting stance. These were very similar to a classic karate front and back stance which didn't come as much as a surprise. They did have some differences but as a family these stances used in fencing and classic karate are in the same family. Not the same but siblings certainly.

It was exciting to be learning and drilling within a completely new framework outside of my order of understanding. You could say that sparring is sparring whether it's with your fists or with a length of steel in your hand. The aim is to get the opponent: tag, touch, hit or strike. Movement seems much more restrained in fencing though with it's linear back and forth, to and froing. For example I only learned fighting stance in a right hand guard and our drills were in this format forward and then...backward! There's no deviation from that (at this stage at any rate!).

The following video shows much more than what we covered in our first lesson and is a great and deep study of body movement and weight distribution: